Northern Norway
January 23 – 31, 2027
1 Spot Left
Scotland Castles and Color
At a Glance
Location
Scotland
Tuition
$12,495
Dates
October 15 – 25, 2028
Fitness Level
Availability
Limited to 8 Guests
Collections
- Journey
- Signature Collection
Scotland Castles and Color Photography Workshop
Ancient Architecture and Autumn Colors
October 15 – 25, 2028
- Beautiful lochs reflect the vibrant beauty of fall landscapes
- Fall colors create breathtaking backdrops for iconic castles
- Master blue-hour photography with castles in dramatic settings
Autumn in Scotland is alive with ever-shifting weather. One moment, golden sunlight filters through brisk, clear air; the next, clouds race across the sky, casting shadow and light over the hills. Mist drifts across glassy lochs, and woodlands glow with gold and red beneath fleeting sunbeams. Stone turrets and weathered ruins take on new character as passing showers transform the landscape.
Scotland’s history is written into these buildings, from medieval strongholds guarding strategic waterways to grand baronial residences. Throughout our journey, we’ll explore how their stonework, settings, and silhouettes tell that story—and how autumn light brings it into our photographs.
The places you stay are part of the experience, blending Scottish character with welcoming comfort. Our accommodations include stylish city hotels and historic country houses, with settings that range from wooded grounds to peaceful loch shores. After a day in the autumn air, comfortable rooms, inviting lounges, and good meals shared with fellow photographers offer a chance to unwind. These evenings bring their own pleasures: conversation over dinner, stories from the field, and time to enjoy the surroundings. With lodging, meals, and transportation taken care of, you can settle into the journey and focus on your photography.
This workshop balances grand scenes with quiet details. We’ll work along reflective lochs and in woodlands where waterfalls thread through fern and moss. Mushrooms, lichens, and leaf patterns invite a closer look, while wider views take in ridgelines, glens, and coastal cliffs. Castles are a constant presence, from the cliff-top setting of Dunnottar to the evening silhouette of Eilean Donan and the stately grounds of Balmoral and Glamis. With a bit of luck, we’ll photograph the Jacobite Express, made famous in the Harry Potter movies, crossing the Glenfinnan Viaduct with a ribbon of white steam against the Highland colors.
The weather shapes our days. Sunlight breaks through drifting fog, and passing rain creates changing moods that reward patience and thoughtful composition. We’ll help you recognize those opportunities and use them to make photographs that convey the atmosphere of the landscape.
Learning runs throughout the workshop, with personal guidance in long-lens landscapes, focus stacking, color composition, and small scenes. We’ll work alongside you at your level, helping you explore fresh perspectives and strengthen your skills in composition, camera technique, and post-processing.
A small group and unhurried field time give you room to experiment, ask questions, and develop your own ideas. Image reviews and focused processing sessions help you bring out subtle tones, weathered stone, and autumn color. You’ll head home with a portfolio that reflects your experience of Scotland, along with skills and friendships that reach well beyond the trip.
This workshop dovetails with our Scotland: Highlands and Isle of Skye workshop, pairing Scotland’s historic castles, autumn color, and intimate cultural landscapes with the rugged mountains, sea cliffs, and dramatic scenery of the Highlands and Isle of Skye.
Your Pros
Itinerary
This itinerary is subject to change due to weather, local conditions, and other factors.
October 15, 2028: Arrive at Edinburgh Airport (EDI), Edinburgh, Scotland before 8:30 AM today. Air travel delays are common. Please arrive early, possibly even the day prior, so you don’t miss any of the workshop.
October 15, 2028: We’ll meet at our hotel at 10:00 AM for introductions, then head to Dean Village, wandering its quiet lanes and photographing the mix of riverside paths, stone bridges, and old mill buildings. It’s a great place to practice composing around water, texture, and soft morning light. From there, we’ll go to Stockbridge, using its relaxed streets and market area to explore local color and simple architectural details.
After a break for lunch, we move onto the Princes Street Gardens, where the castle and Old Town rise above us. This stretch is ideal for practicing foreground–background layering and capturing big, iconic views without fuss. We’ll climb toward the Royal Mile and slip into its network of narrow closes. These tight stone passages help you work with shadow, contrast, and natural framing. We’ll take time to study a few of them closely so you can experiment with leading lines and unusual perspectives.
We end the day on Calton Hill, which overlooks the city and provides fantastic photography opportunities as the city shifts into the evening. It’s a great spot to practice wide scenes, silhouettes, and simple skyline storytelling—an easy, satisfying close to the first day. A quick taxi ride back down Princes Street for dinner and to celebrate our first day.
October 16, 2028: Trossachs National Park, Loch Reflections, Woodlands
After breakfast, we pack up and leave Edinburgh for Trossachs National Park. The shift from city streets to Highland scenery happens quickly. Within an hour, you start seeing rolling hills, brighter fall color, and wider views. We’ll make a few quick stops along the way whenever the light turns interesting.
Once we reach the Trossachs, we spend the day exploring routes we trust for solid photo opportunities. Think quiet lochs, small valleys, and roadside pull-offs that give you strong compositions without a big hike. A couple of the highlights include traditional boathouses and woodlands the area is known for—they’re great subjects for practicing framing and working with reflections.
Weather changes fast here, but that’s part of the fun. Soft rain, low cloud, or a bit of sun can each create different looks, so we adjust as we go. By the end of the day, you’ll have a mix of clean landscape shots and tighter details that show off the area’s fall color without making things overly complicated.
October 17, 2028: Morning Reflections, Drummond Castle, Woodland Waterfalls
If the morning is calm, we begin at a nearby loch for simple, clean reflection shots—an easy way to practice composition before heading north. Next, we continue into the Highlands and stop at Drummond Castle. Its structured gardens, terraces, and open views give you plenty of shooting options, from wide scenes to tighter architectural details.
After lunch, we focus on woodland waterfalls. Peak fall color makes these spots especially rewarding, and the soft forest light helps with long exposures and slower, more controlled shooting. We’ll move through a couple of accessible areas so you can explore different angles and shutter speeds without rushing.
We finish the day in Pitlochry, our base for the next two nights and a convenient hub for the surrounding landscapes.
October 18, 2028: The Hermitage, and Perthshire
We start the morning at the Hermitage, a classic Perthshire location with tall Douglas firs, a well-framed waterfall, and easy access to the river. It’s a good place to slow down and experiment with long exposures, shallow depth of field, and simple woodland details. If you enjoy macro, this is the day to use it. Mushrooms, moss, and tree textures are everywhere and make great close-up subjects.
In the afternoon, we explore more of the surrounding area. The mix of lochs, forests, and nearby castles gives you plenty of variety without long drives. We keep things flexible so you can try different styles—wide landscapes, tighter woodland studies, or architectural shots, depending on the light.
October 19, 2028: Blair Castle and Woodlands
The morning is dedicated to Blair Castle and its nearby woodlands. The bright white exterior, open grounds, and pockets of fall color make it straightforward to shoot from several angles.
After a relaxed lunch at the House of Bruar, we continue north to our next base—an actual castle hotel overlooking a quiet loch. Mid-October is the ideal time to photograph the property, with color right at its peak. The best part is how easy it is to shoot here; you can get great images without wandering far from your room.
In the afternoon, we’ll have one of our signature image reviews, explore the grounds at an easy pace, and enjoy the setting without rushing to the next location.
October 20, 2028: Jacobite Steam Train at the Glenfinnan Viaduct, Sunset at Eilean Donan Castle
Today is a big highlight. We set up at Glenfinnan Viaduct to photograph the Jacobite Steam Train—the same one used as the Hogwarts Express in the Harry Potter films. The train crosses quickly, so we take time beforehand to find the right angles, test exposures, and get into position.
Once the excitement settles, we drive to Eilean Donan Castle. It’s one of Scotland’s most recognizable landmarks, and dusk is the ideal time to shoot it. The castle lights balance well with the fading sky, giving you dependable, easy-to-work-with color and contrast.
October 21, 2028: Ancient Pines and Lochs of Glen Affric
We head into Glen Affric, known for its ancient Caledonian pine forest and quiet lochs. This area feels untouched, and it’s a great place to take your time, wander a bit, and look for personal compositions rather than the icons of other Scottish locations.
The mix of open views and small details makes it easy to switch between lenses and styles. Autumn is especially good here; the warm color sits well against the dark greens of the old pines.
October 22, 2028: Glen Affric, Image Review
We return to Glen Affric for a morning session, taking advantage of softer light and quieter trails. This second visit usually helps you refine shots you started the day before or find new angles now that the location feels familiar.
Back at the hotel, we hold another image review. It’s practical and supportive—aimed at helping you strengthen your workflow, editing choices, and overall shooting approach.
October 23, 2028: Balmoral and Craigievar Castles
We make our way toward our final base, using the drive to pick off easy pull-over stops as the light changes. Our first main session is at Balmoral Castle. It’s the British Royal Family’s Scottish residence, set in open parkland with a clean, symmetrical facade and a distinctive central tower. The layout makes it straightforward to work with leading lines, foreground elements, and tidy wide-angle compositions.
From there, we continue to Craigievar Castle. This is the bright pink, turreted tower house often said to have inspired Disney’s castle design. It has tall, narrow proportions, sculpted details, and a striking silhouette that works well from multiple distances. The surrounding grounds are simple to navigate, and the soft evening light usually brings out the warm color of the stone. It’s an easy place to experiment—shoot it tight for textures and details, or step back to frame the castle against the rolling woodland.
October 24, 2028: Sunrise at Dunnottar Castle, The Cairngorms
We start before sunrise at Dunnottar Castle, one of Scotland’s most dramatic historic sites. The ruins sit on a steep, isolated headland surrounded by cliffs and open sea, which makes it perfect for simple, powerful compositions. The pre-dawn light usually gives you a clean silhouette, and once the sun comes up, the warm side-light brings out the textures in the stone and the shape of the headland. It’s an easy place to work both wide shots and longer lenses without overthinking angles.
After returning to the hotel for breakfast and an image review, we’ll spend the afternoon exploring more of the Cairngorms. The mix of wooded slopes, open views, and quick roadside stops keeps things relaxed and lets us make the most of whatever light the day gives us.
October 25, 2028: Glamis Castle, Twilight at Forth Bridge
As we make our way back to Edinburgh, we stop at Glamis Castle. The grounds are spacious and easy to explore, especially in the autumn when the color is at its best. From there, we continue south, taking advantage of any last-minute roadside opportunities.
We end the trip at South Queensferry to photograph the Forth Bridge at twilight. It’s a simple, dependable setup with strong lines and great color as the lights come on. Afterward, we wrap up with a farewell dinner and check into the hotel to prepare for departure tomorrow.
October 26, 2028: Flights home any time today.
Flights out can be made anytime today.
A Note About Accommodations
Many of the hotels we stay in are remote or historical buildings that may lack amenities such as an elevator. We will gladly assist, but all luggage must be carried upstairs.
Fitness
Moderate: Be prepared for varied weather conditions and a mix of short walks and roadside stops to capture Scotland’s autumn landscapes. Terrain includes woodland trails and castle grounds, often with uneven footing. Expect up to 2–3 miles of hiking per day. Guests will need to carry camera gear and luggage, sometimes up stairs in historic accommodations.
Flights
Arrive at Edinburgh Airport (EDI), Edinburgh, United Kingdom, before 8:30 AM on October 15, 2028. Flights out can be scheduled anytime on October 26, 2028. Air travel delays are common. Please arrive early, possibly even the day prior, so you don’t miss any of the workshop.
What to Bring
Please see our page How To Prepare For Your Workshop. We will send you a detailed information document 90 days before your workshop. This document will include specifics of where and when to meet, gear and clothing recommendations, and more.
What’s Included
- Double occupancy lodging. Single available for a $2,700 supplement.
- All meals, soft drinks, and snacks during the workshop.
- All permits and park fees.
- All transportation during the workshop.
- Tips for crew, drivers, and local guides.
- Photographic guiding and instruction from 3 pros.
- Image reviews and post-processing instruction.
- Adventure, fun, inspiration, and a great time!
Not Included
- Travel to and from Edinburgh, Scotland.
- Unscheduled airport transfers.
- Passport and visa fees (if applicable).
- Any meals or accommodations before or after the workshop dates.
- Items of a personal nature.
- Alcoholic beverages.
- Travel Medical and Trip Cancellation Insurance (optional, but recommended).
- Anything else specifically not listed as included.
- Single rooming is available for a $2,700 supplement.
Payment Terms
- Your deposit of $4,495 will hold your space in this workshop.
- Further payment of $4,000 is due by February 1, 2028.
- The balance is due not later than June 1, 2028.
- All of our standard Terms and Conditions apply, including our cancellation and refund policy.
- Need special payment arrangements? No problem, just ask us.
Frequently Asked Questions
You'll practice long-lens landscapes, focus stacking, and color composition. You'll also explore small scenes, work on composition, and refine your post-processing skills to create a cohesive portfolio that captures Scotland's character.
Yes, this workshop is refundable. If you cancel more than 150 days before the start date, you receive a full refund. Cancellations between 150 and 91 days receive a refund of payments exceeding 50% of tuition, and between 90 and 61 days, you receive a refund of payments exceeding 75% of tuition. No refunds are available within 60 days unless we fill your space, in which case you receive a 100% refund. All refunds are issued by the same payment method and are subject to a 5% administrative processing fee.
The workshop has a maximum capacity of 8 participants, ensuring personalized attention and a relaxed pace for everyone involved.
It's recommended to bring a range of lenses, such as wide-angle lenses from 14–35mm for landscapes, a mid-zoom 24-120mm and a longer lens like a 70-200mm for capturing distant details. A tripod is essential for long exposures and low-light conditions.
The fitness level is moderate, and you should be able to walk two miles or more on uneven ground to fully enjoy the locations we visit.
While travel medical and trip cancellation insurance are optional, they are highly recommended to protect against unforeseen circumstances.
You'll stay in double occupancy lodging, with the option for a single room for an additional supplement. Some accommodations are in remote or historical buildings that may lack modern amenities like elevators, but assistance with luggage is available.
You might also like…
